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Issues : EE revisions
b. 65-66
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composition: Op. 28 No. 15, Prelude in D♭ major
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The two long accents we give in the main text come from A. The copyist overlooked the second one in FC (→GE), and short accents in FE result from inaccurate recreation of A. The vertical accents in EE are an arbitrary revision characteristic of this edition. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Errors of FC |
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b. 75
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the 2nd half of the bar there are no accidentals before the 2nd and 4th bottom voice quavers in A (→FC,FE→EE1). It must be an oversight of Chopin, who, in his mind, changed the key to D category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE |
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b. 76
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composition: Op. 28 No. 15, Prelude in D♭ major
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The distinct dots prolonging the d category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Inaccuracies in FC |
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b. 78
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we draw additional crotchet stems next to the a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 80
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composition: Op. 28 No. 15, Prelude in D♭ major
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Similarly to b. 76, both FC (→GE) and FE (→EE1) omitted the dots prolonging the d category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Inaccuracies in FC |