Issues : EE revisions
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b. 43
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composition: Op. 28 No. 15, Prelude in D♭ major
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The missing In EE2 the indication was probably repeated after GE. Moving it a quaver earlier was an arbitrary decision; however, it may comply with Chopin's intention, since he would sometimes place markings within the range of their scope, and not at the beginning. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 47-49
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composition: Op. 28 No. 15, Prelude in D♭ major
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EE1 has 6 sharps as the key signature on the upper staff in bars 47-49. The error, with no bearing on the actual sound, was corrected in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 55
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composition: Op. 28 No. 15, Prelude in D♭ major
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As was the case with b. 39, of which the discussed bar is a literal interpretation in the manuscripts, in the main text we keep the notation of A (→FE→EE1). category imprint: Differences between sources issues: EE revisions , Fontana's revisions |
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b. 58-59
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composition: Op. 28 No. 15, Prelude in D♭ major
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The abridged notation of repeated quavers as minims provided with quaver tremolos (appearing for the first time in these bars in FE) misled the engraver of EE; he wrote out the abbreviations in full but kept the dots being part of the abridged notation. Consequently, these bars contain erroneous staccato dots in EE. In b. 59, an arbitrary slur was also added to the dots. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 60
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composition: Op. 28 No. 15, Prelude in D♭ major
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At the beginning of the bar, EE1 has an additional category imprint: Differences between sources issues: EE revisions |
under 3rd quaver in 
present in the next bar in 
in 
