Issues : EE revisions
b. 19
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composition: Op. 28 No. 15, Prelude in D♭ major
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The stem prolonging the g quaver was overlooked both in FE (→EE1) and GE). Chopin added it in FED and FES; moreover, in both copies he also prolonged the last a quaver. We consider that addition, most probably introduced independently in each of the copies, a development of the original idea and adopt it to the main text. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in GE , Annotations in FES |
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b. 22
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we mark the use of "harmonic legato" in the L.H. part, as Chopin did in b. 3. The first a note was also prolonged in EE2. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 23
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composition: Op. 28 No. 15, Prelude in D♭ major
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As was the case with b. 4 and 79, we keep Chopin's authentic notation as almost certainly intended by the composer. category imprint: Differences between sources issues: EE revisions |
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b. 28-46
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composition: Op. 28 No. 15, Prelude in D♭ major
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EE1 has wrong key signatures in bars 28-49 – 6 sharps on the upper staff in bars 28-49 (4 lines of text), and 5 sharps on the lower staff in bars 28-43 (3 lines). This astonishing mistake was corrected in EE2. Interestingly, the additional sharps change the pitch of only three notes in this entire fragment – e1 to e1 in the middle of bar 38, and at the beginning of bars 40 and 41. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 39
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composition: Op. 28 No. 15, Prelude in D♭ major
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As in many other places, Fontana replaced the Chopinesque grace note with a common short grace note (the change also got to EE2, probably via GE1). In the main text we keep the notation of A (→FE→EE1), although it most probably carries the same meaning as a . category imprint: Differences between sources issues: EE revisions , Non-slashed grace notes , Fontana's revisions |