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Issues : Annotations in FES
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b. 11-12
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we give a fingering resulting from the complementary and partially identical entries in FED and FES. The constant position of the thumb on c category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 12
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of A (→FE,FC→GE1), without a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Errors of FC , Errors repeated in FE |
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b. 15-16
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we combine the complementary or compliant fingering versions of FED and FES. Some of the entries of FED are not obvious – in the interpretation we adopted we include both the shape of the very marks and the pianistic naturalness of the fingering they describe. Wherever the fingering versions entered into both copies differ, we give both versions in a variant form (the last quaver in b. 15). category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FES |
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b. 15
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composition: Op. 28 No. 15, Prelude in D♭ major
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The 3rd finger on d category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FES |
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b. 19
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composition: Op. 28 No. 15, Prelude in D♭ major
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The stem prolonging the g category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in GE , Annotations in FES |
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