Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 15, Prelude in D♭ major
FED contains synchronization marks in the R.H. part, which indicate that the semibreves are to be performed simultaneously with the minims at the beginning of the bar. The need for such an indication resulted from the placement of those semibreves, repeated after A, i.e. in the middle of the bars – we reproduce that notation in the graphical transcription (version "transcription"). See also the note on b. 87.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: Annotations in teaching copies, Annotations in FED, Synchronization markings
notation: Rhythm
