Page: 
Source: 
p. 2, b. 16-33
p. 1, b. 1-15
p. 2, b. 16-33
A - Autograph
Main text
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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No differences
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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copy link PDF A - Autograph


  b. 28

Fingering written into FED

No teaching fingering in FCI & A (→FE,FCGE)

Fingering in EE

In the main text we give a fingering written most probably by Chopin himself in FED. The fingering of EE starting from the 2nd beat of the bar could be combined with the Chopinesque entry; however, both Chopin and the reviser of EE had most probably a different fingering in mind:
Chopin – ,
EE      – .

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Annotations in FED

notation: Fingering

Missing markers on sources: FCI, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a