Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 3, Prelude in G major
It seems that the title written in FCI was not added later; therefore, Fontana already knew the name of the piece and its position in the entire cycle at the time of writing (however, it does not prejudge the title of Chopin's autograph). Consequently, the copy comes from the time when Chopin already had a clear vision of the cycle of preludes and was working on completing them.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Verbal indications
