Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 3, Prelude in G major
It is evident that Chopin's final decision concerning the tempo of the Prelude was Vivace. The change was almost certainly related to a distinct change of concept of the piece, which was also reflected in other performance markings, which often differ between FCI and the other sources. Moreover, the markings of FCI are more detailed in a number of places, cf., e.g. the 
hairpins under the L.H. semiquavers in b. 1, dim. in b. 6, accents in b. 7 and 9.
See also the notes on the changes to the R.H. rhythm.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Verbal indications
