EE1
Main text
FCI - Fontana's copy of earlier version
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 16-25

Rhythm in FCI

Rhythm in AFCGE, →FEEE)

As was the case in b. 7 and 9, milder rhythms in the R.H. top voice can be observed in FCI in b. 16 and 20-21 (the last note is a quaver and not a semiquaver) as well as in b. 23 and 25 (the last note is a crotchet). A slightly different rhythm can also be seen in the 1st half of b. 17 – instead of a semiquaver accompanied by grace notes, FCI features a semiquaver triplet. They are almost certainly initial versions.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Main-line changes

notation: Rhythm

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