Pitch
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b. 19-21
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composition: Op. 28 No. 2, Prelude in A minor
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In As one can see the notation of the initial L.H. part, which was eventually replaced with rests. That notation covers 2 repeat signs of the four-quaver figure from b. 18 in b. 19, the repeat sign of b. 19 in b. 20 and the minim E-A-f chord in the 1st half of b. 21. After expanding the abbreviations, we obtain the following text: (the versions of the chord in the 2nd half of b. 21 – see the note concerning that bar). category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 21
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composition: Op. 28 No. 2, Prelude in A minor
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The crossings-out visible in As reveal that the bottom voices of the chords in the 2nd half of the bar were changed twice. The initial version, which was crossed out, continued the previous harmonic filling of b. 19-21 (see the note in b. 19): category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
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b. 22
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composition: Op. 28 No. 2, Prelude in A minor
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In the main text we add a cautionary before d. category imprint: Editorial revisions |
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