Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 2, Prelude in A minor
In EE the L.H. slur in b. 5 – the first in a new line – begins from the 1st quaver, although the slur in the previous bar suggests continuation. The inaccuracy was most probably a side effect of the slur in b. 5-7 having been moved under the notes (though otherwise justified, since the notation of FE is illogical here: the slur in b. 1-4 is led under the notes, whereas its continuation in b. 5-7 – above). Inconsistent slurs between lines are also present in FC and GE – slurs in the bars opening a new line (b. 6 and 10 in FC and 5 and 9 in GE) run from the 1st quaver of the bar, contrary to the notation at the end of the preceding lines. (We do not reproduce the inaccuracies of FC in our transcriptions due to a different division into great staves.)
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information
issues: Inaccuracies in GE, EE inaccuracies, Inaccuracies in FC, Uncertain slur continuation
notation: Slurs
