FC
Main text
As - Autograph sketch
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1(
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 2-3

In As the L.H. part is written out with notes only in b. 1. Its repetition as b. 2 is marked with a slur over the notes, whereas b. 3 features a conventional / mark. In spite of the fact that Chopin would frequently reach for the aforementioned manners (a slur as a repeat mark, complemented by bis, can be seen in, e.g. Lento con gran espressione WN37, b. 3-4), their appearance next to each other in one manuscript is unique. The reason was probably the change of concept of the first bar of the introduction, which is confirmed by crossings-out. In the continuously written first phrase (b. 1-7), b. 1 differed from b. 2:  (possible interpretation).
Then, however, Chopin crossed out the first bar. Having been devoid of space to write out a new version thereof, he resorted to an abbreviation that did not require any entry between the already written down text.

In A (→FC) Chopin marked b. 2 with a / symbol and replaced the second half of b. 3 with the same mark. He could not replace entire b. 3 with an abbreviation, since, starting from that bar, the composer simplified the notation of figuration.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Abbreviated notation of A

notation: Shorthand & other

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