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p. 2, b. 28-57
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
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A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
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GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
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  b. 51

AGE

FC3 (→FEIE), EE

In FC3 (→FEIE) and EE# there is an a-a octave in the second half of the bar. In A, instead of bars  36-50 the repetition of bars 20-34 is marked and bars 35 and 51 concluding the phrase are notated one after another as 1a and 2a volta. In b. 35 there is an a-a octave, in b. 51 only single   a, which may well be related to a distinct shape of the beginning of next phrases - forte octave in b. 36 and piano figuration in b. 52. While writing FC3, the copyist must have mistakenly rewritten twice (bars 35 and 51) the version Chopin intended for b. 35. GE is in compliance with A.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors of FC

notation: Pitch