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p. 1, b. 1-27
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b. 25
Given that there is g in both the previous and following bars, we are led to believe tha the internal note of the chord in the second half of b. 25 per Chopin’s intention should also be g, and its omission must have been Chopin’s oversight. The version with g is no less satisfactory in musical terms, so if we assume there is no error in Chopin’s notation, we have proposed it for the main text.
category imprint: Interpretations within context; Differences between sources; Source & stylistic information
issues: GE revisions, Omission of current key accidentals
notation: Pitch