mUltimate Chopin

Op. 43, Tarantella

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-27
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
Main text
Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link PDF Main text

  b. 1

EE

FC3 (→FE→IE)

A, GE

In A and GE  there are no dynamic markings at the beginning of the piece. In FC3 (→FE →IE)  mark was introduced at the beginning of b.1; there's no reason to question its authenticity. Based on EE in the main text we present the marking in upbeat variant.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: No initial dynamic marking

notation: Verbal indications