mUltimate Chopin

Op. 43, Tarantella

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 28-57
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
Main text
Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link Main text

  b. 28

A, FC3 (→FE→IE), EE, GE4

GE1 (→GE2→GE3)

The slur beginning on the second beat of b. 28 in GE1 (→GE2→GE3) is most certainly inaccurate. It may have resulted from unclear marking of slurs in [FC1] which was the basis for these edtitions (e.g. when b. 27 was the last bar in the last but one line of text). The notation of slurs in A, however, leaves no doubts as for Chopin's intentions. 

See annotation in bars 7-8.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Inaccuracies in FC

notation: Slurs