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p. 3, b. 58-87
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
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A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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  b. 84-87

Bars 84-99 in Tarantella are repeated in bars 100-115 and 132-147. To avoid rewriting them three times Chopin in A and then Fontana in FC3 marked them with numbers 1-16 on the first exposition of the part, and for repetitions he left bars without notes only marked with numbers. It does not apply to the first editions, where all three passages are written out with notes. In all annotations regarding A and FC3 in bars 100-115 and 132-147 we present variants corresponding to bars 84-99.

Compare the passage in the sources»

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

notation: Shorthand & other