mUltimate Chopin

Op. 43, Tarantella

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 88-117
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
Main text
Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link PDF Main text

  b. 100

GE4

A, FC3 (→FE→IE), EE, GE1 (→GE2→GE3)

Our proposed variant

In all sources except GE4 there is no accent on the first beat of b.100. This most probably results from the fact that b. 100 is only partly written out in both A and FC3 due to the repetition of the preceding part.

Compare the passage in the sources»

category imprint: Interpretations within context

issues:

notation: Articulation, Accents, Hairpins