mUltimate Chopin

Op. 43, Tarantella

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Page: 
Source: 
p. 4, b. 88-117
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
Main text
Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Importance
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Important
Main
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  b. 100-115

In A and FC3 bars 100-115 are marked 1-16 as the repetition of bars 84-99. In A the upper voice is notated (marked) in b. 100, whereas in FC3 the abbreviation starts in b. 101 marked as 2.

Compare the passage in the sources»

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

notation: Shorthand & other