Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 43, Tarantella
Page:
Source:
p. 4, b. 80-135
p. 1
p. 2, b. 1-35
p. 3, b. 36-79
p. 4, b. 80-135
p. 5, b. 136-187
p. 6, b. 188-227
p. 7, b. 228-270
FC3 - Third Fontana's Copy
Main text
A
- Autograph
FC3
- Third Fontana's Copy
FE
- French Edition
FE1 - First French edition
FED - Dubois copy
GE
- German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE
- First English edition
IE
- First Italian edition
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A
- Autograph
FC3
- Third Fontana's Copy
FE
- French Edition
FE1 - First French edition
FED - Dubois copy
GE
- German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE
- First English edition
IE
- First Italian edition
Importance
All
Important
Main
In A and FC3 bars 133-147 are not written out and are replaced with numbers 1-16, which in fact means a repetition of bars 85-99 just like in corresponding bars 100-115.
Compare the passage in the sources »
category imprint: Differences between sources; Source & stylistic information
issues: Abbreviated notation of A
notation: Shorthand & other