Issues : Rhythmic errors

b. 4

composition: Op. 43, Tarantella

GE2 (→GE3GE4)

AFC3 (→FEIE), EEGE1

..

In AFC3 (FEIE), EE and GE1 there is no extending dot on minim c1 on the first beat of RH but the dot apears upon the theme’s repetition in corresponding b. 180, which allows us to assume with great probability that b.4 is inaccurate. The relevant revision was already made in GE2 (GE3GE4).

category imprint: Interpretations within context; Differences between sources

issues: Rhythmic errors , Errors of A

b. 12

composition: Op. 43, Tarantella

GE2 (→GE3GE4)

AFC3 (→FEIE), EEGE1

..

In AFC3 (→FEIE), EE minim cis not dotted. In the main text we present the dotted variant. Compare annotation in b. 4.

category imprint: Differences between sources

issues: Rhythmic errors , Errors of A

b. 31

composition: Op. 43, Tarantella

FC3 (→FEIE), EEGE

..

In A the last note of the LH part is not dotted. In the copies and  subsequent editions this omission was supplemented. Compare annotation in b. 4.

category imprint: Interpretations within context; Differences between sources

issues: Rhythmic errors , Errors of A

b. 32

composition: Op. 43, Tarantella

A, FC3, (→FEIE), EE, GE1 (→GE2GE3)

..

In all sources except GE4 the crotchet beginning the second half of the bar in RH is not dotted. It may have resulted from inaccurate notation in A. Compare annotation in b. 4.

category imprint: Differences between sources

issues: Rhythmic errors , Errors of A

b. 40

composition: Op. 43, Tarantella

..

In A and FC3 cis not dotted (inaccuracy).

category imprint: Interpretations within context; Differences between sources

issues: Cautionary accidentals , Rhythmic errors , Errors of A