mUltimate Chopin

Op. 43, Tarantella

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b. 31-32

composition: Op. 43, Tarantella

A, FE (→IE), EE, GE
 
..

In FC3 e2 is not tied across the barline. In all first editions the tie is correctly noted, which may sugguest that Chopin revised this place or so did in parallel all the editors of the first editions. Compare annotation in b. 31.

category imprint: Differences between sources

issues: Errors of FC

b. 32

composition: Op. 43, Tarantella

FED

A, FC3 (→FE1→IE), EE, GE
..

The  marking in FED is penciled in and must have come from Chopin, similarly in b. 48.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants

b. 32

composition: Op. 43, Tarantella

GE4

A, FC3, (→FE→IE), EE, GE1 (→GE2→GE3)
..

In all sources except GE4 the crotchet beginning the second half of the bar in RH is not dotted. It may have resulted from inaccurate notation in A. Compare annotation in b. 4.

category imprint: Differences between sources

issues: Rhythmic errors , Errors of A

b. 33

composition: Op. 43, Tarantella

..

In A and GE1  diminishing c2 to c2 was omitted before the second quaver in RH.

category imprint: Differences between sources

issues: Omission of current key accidentals

b. 34

composition: Op. 43, Tarantella

..

In EE there is redundant  before g.1

category imprint: Differences between sources; Editorial revisions

issues: EE revisions