Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 13, Prelude in F♯ major
The e
1 semibreves in b. 17 and 19 fill entire bars in A – they are dotted and, in accordance with the Chopinesque habit, placed close to the middle of the bar (cf., e.g. the Prelude No. 15 in D
Major, b. 84-85). In FC (→GE) the latter is not provided with a dot, while in GE – both are not. It is Fontana's oversight and a standardizing revision or another oversight in GE.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions, Inaccuracies in FC
notation: Rhythm
