Page: 
Source: 
p. 3, b. 48-64
p. 1, b. 1-20
p. 2, b. 21-47
p. 3, b. 48-64
Main text
Main text
A1 - Working autograph
CJ - Jędrzejewicz Copy
CK - Kolberg Copy
CB - Balakirev Copy
EL - First edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A1 - Working autograph
CJ - Jędrzejewicz Copy
CK - Kolberg Copy
CB - Balakirev Copy
EL - First edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 57

  in A1, contextual interpretation

   in CJ

   in CK

   in CB

  & delicato in EL

In A1 Chopin wrote the  indication between the 2nd and 4th notes of the run. It is an example of the obsolete convention of placing indications within their scope, and not at the beginning or slightly before (cf. b. 58). The following dynamic hairpins differ in their range, which, however, is of no significance in this context. In the main text we reproduce the notation of CJ, which does not raise any stylistic doubts and probably reproduces the notation of [A2] pretty faithfully. The hairpins of EL adjusted to the semiquaver beaming must result from an editorial revision.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Centrally placed marks

notation: Verbal indications

Missing markers on sources: A1, CJ, CK, CB, EL