Issues : Corrections of AI
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b. 16
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composition: WN 37, Lento con gran espressione
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In A1 one can see a correction of the 2nd accompaniment figure in this bar. Initially, Chopin simply moved the hand an octave lower: category imprint: Corrections & alterations; Source & stylistic information issues: Deletions in A , Corrections of AI |
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b. 18
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composition: WN 37, Lento con gran espressione
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In A1 one can see that the two quavers on the 4th beat of the bar replaced the initial f category imprint: Corrections & alterations; Source & stylistic information issues: Corrections of AI |
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b. 26
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composition: WN 37, Lento con gran espressione
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The initial version of A1 was corrected still in this autograph (inaccurately – the penultimate L.H. quaver, b, remained unchanged), whereas the sources based on [A2] already contain the changed version (regardless of the rhythmic changes). The version of EL may be Kolberg's revision after the analogy with b. 22. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Errors of A , Corrections of AI , Kolberg's revisions , Revisions in EL |
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b. 56
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composition: WN 37, Lento con gran espressione
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In #A one can see that Chopin initially provided the trilled note with the value of a double dotted minim, whereas the c category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Deletions in A , Corrections of AI |
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1 crotchet.
2 note ending the trill – with the one of a quaver. It was still in