Pitch
b. 18
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composition: WN 37, Lento con gran espressione
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In A1 one can see that the two quavers on the 4th beat of the bar replaced the initial f1 crotchet. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections of AI |
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b. 21-24
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composition: WN 37, Lento con gran espressione
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None of the six necessary naturals lowering d2(1) to d2(1) are present in CJ and CK, which is a striking example of overlooked accidentals of a current key. This is even more of anomaly given that the first two R.H. naturals are written in A1. CB and EL contain the correct text. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Balakirev's revisions , Revisions in EL |
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b. 24
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composition: WN 37, Lento con gran espressione
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e1 in the version of CK (→CB) and EL must be Kolberg's mistake – in A1 one can see that the note was corrected from e1 to c1. The version with c1 is an unquestionable Chopinesque improvement – it alleviates the impression of A-e1 having been moved parallel to F-c1, which opens the next bar. category imprint: Differences between sources; Source & stylistic information issues: Corrections in A , Terzverschreibung error |
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b. 25
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composition: WN 37, Lento con gran espressione
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We add a cautionary before d1 in the main text and in the substantive transcription of A1. category imprint: Editorial revisions |
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b. 26
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composition: WN 37, Lento con gran espressione
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The initial version of A1 was corrected still in this autograph (inaccurately – the penultimate L.H. quaver, b, remained unchanged), whereas the sources based on [A2] already contain the changed version (regardless of the rhythmic changes). The version of EL may be Kolberg's revision after the analogy with b. 22. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Errors of A , Corrections of AI , Kolberg's revisions , Revisions in EL |