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Issues : Revisions in EL
b. 7
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composition: WN 37, Lento con gran espressione
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The tie of c category imprint: Differences between sources issues: Revisions in EL |
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b. 11
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composition: WN 37, Lento con gran espressione
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Separating the tenor voice must have been an arbitrary decision introduced in EL. According to us, it is likely that the author thereof was Kolberg, who added similar short motifs in the middle section of the Lento (b. 35-36 and 39-40). category imprint: Differences between sources issues: Kolberg's revisions , Revisions in EL |
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b. 15
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composition: WN 37, Lento con gran espressione
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The compliance between CJ and CK allows us to believe that the category imprint: Differences between sources; Editorial revisions issues: Scope of dynamic hairpins , Balakirev's revisions , Revisions in EL |
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b. 21-24
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composition: WN 37, Lento con gran espressione
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None of the six necessary naturals lowering d category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Balakirev's revisions , Revisions in EL |
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b. 22
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composition: WN 37, Lento con gran espressione
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The clear accent in CK allows us to consider the longer mark in CJ a long accent, which we give in the main text. In CB and EL the mark was reproduced as a short diminuendo hairpin. Cf. b. 26. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Revisions in EL |