Page: 
Source: 
p. 2, b. 27-58
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 44-45

Double bar line in AI & AF (→FEEE)

Single bar line in GE

According to us, the double bar line in AI is a trace of change of the key signature for it to correspond to the key of B major; a trace that was left by inadvertence. It is indicated by the absence of such a bar line in GE – Chopin apparently considered it superfluous while writing [AG], in spite of the fact that a new section of different nature begins here. In this situation, the double bar line in AF (→FEEE) may be explained by the composer's distraction at the time of copying the Mazurka – a reassessment of this issue, although possible, seems to be less likely.

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Shorthand & other

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1