Page: 
Source: 
p. 2, b. 27-58
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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Articulation, Accents, Hairpins
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 45-57

On the basis of AI one can see that Chopin hesitated whether to write the B major section (from b. 45) using a 4- or a 5-sharp key signature. It is proven by the following actions: a new key signature was added in b. 45 and 57, then the sharps of A and a1 were removed in both places, while the sharps before the a notes in b. 50 and 52 (as well as in 61 and 74) were crossed out and then reintroduced. 

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category imprint: Corrections & alterations; Source & stylistic information

issues: Chopin's hesitations, Last key signature sign, Corrections of AI

notation: Pitch

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1