mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

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Page: 
Source: 
p. 5, b. 133-162
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 137-140

No upper part in AI

Upper part, notation AF

Upper part, notation FE

Upper part, notation GE

Upper part, notation EE

In AI these bars follow b. 101-104 and continue the R.H. homophonic texture present in these bars. Apart from the missing additional voice over the quaver figuration, the differences with respect to the final version include:

  • the regular b1-c2-d2 sequence at the beginning of b. 137,
  • the initial version of the 2nd and 3rd beats of b. 140 – a1-e1-d1-c1.

Discussion of the differences in the notation of the two-part fragments in b. 138-140 – see the note to b. 134 and 136.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues:

notation: Pitch

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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