mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 133-162
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 134-136

Upper part, notation in AF

Upper part, notation in FE

Upper part, notation in GE

Upper part, notation in EE

In b. 134 and 136, the Chopinesque manner of writing stems always on the right-hand side of the noteheads contributed to an incomprehensible reproduction of the two-part notation of AF by the engraver of FE and, consequently, the totally erroneous notation of EE. In the main text we give the simplest and probably the latest notation introduced by Chopin in [AG] (→GE).
Similarly in b. 138-140.

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category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: EE revisions, Inaccuracies in FE, Corrections in A, Errors resulting from corrections, FE revisions, Inaccuracies in A, Partial corrections

notation: Rhythm

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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