mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

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Page: 
Source: 
p. 1, b. 1-26
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
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Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 20-24

Quavers & rests in AI & AF (→FE→EE)

Crotchets in GE

In b. 20 and 24, AI initially contained the original concept of the L.H. part:  and .
Chopin then crossed out the rests and the semiquavers and replaced them with quaver rests, which is preserved in AF (→FE→EE). The notation of GE, in which Chopin simplified it even more, seems to be the latest in this situation. The conclusion is confirmed by analogous b. 112 and 116, in which all sources feature crotchets only.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections of AI

notation: Rhythm

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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