Page: 
Source: 
p. 4, b. 99-132
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 123-124

d2 repeated in AF (→FEEE)

d2 tied in GE

In the main text we give the undoubtedly authentic version of AF (→FEEE). In turn, the authenticity of the version of GE, although likely, is uncertain – it may result from a routine revision consisting in moving the slur to the side of the noteheads (in GE the stems point downwards). There are numerous examples of such changes in Chopin's pieces, cf., e.g. the Mazurka in G Minor, Op. 24 No. 1, b. 3 or the Nocturne in D Major, Op. 27 No. 2, b. 76-77. Therefore, it is possible that the notation of [AG] was no different from AF.

See b. 31-32

Compare the passage in the sources »

category imprint: Differences between sources

issues: Placement of markings, Omitted correction of an analogous place

notation: Rhythm

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1