Page: 
Source: 
p. 1, b. 1-26
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
Main text
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 3-4

c2 repeated in AI & AF (→FEEE)

c2 tied in GE

The version with tied c2, coming probably from [AG] (→GE), is undoubtedly later, hence we give it directly in the main text. Admittedly, Chopinesque proofreading of FE took place even later, yet the fact that a tie was not added here does not allow us to draw conclusions that Chopin returned to the original concept, since the difference could have been of less importance to the composer, hence he could have forgotten it while proofreading FE.
There is a similar situation in b. 7-8 and 95-96.

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category imprint: Differences between sources; Corrections & alterations

issues:

notation: Rhythm

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1