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Issues : Authentic corrections of FE
b. 6
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Both autographs are lacking in the category imprint: Interpretations within context; Differences between sources issues: Errors of A , Authentic corrections of FE , Last key signature sign , Errors repeated in EE |
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b. 8-9
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In AF both the ending of the slur in b. 8 and the beginning of the slur in b. 9 are written inaccurately, as a result of which each of the given versions may be considered an interpretation of this notation. According to us, the latter is to be interpreted as beginning from the 1st quaver of the bar, which is indicated by the similar yet more accurate versions of notation of AI and AF in analogous b. 100-101 (in AF the version prior to combining the slurs). To the main text we adopt the version of FE, perhaps proofread by Chopin (the first slur having been extended). The version of AI and GE may be considered an equal variant. category imprint: Differences between sources; Corrections & alterations issues: Inaccurate slurs in A , Chopin's hesitations , Authentic corrections of FE |
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b. 31-32
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the version of both preserved autographs, which, assuming on the basis of GE, could also have been in [AG]. The version of FE, almost certainly proofread by Chopin, can be considered equal. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of FE |
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b. 41-44
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The category imprint: Differences between sources |
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b. 69
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we include the category imprint: Differences between sources; Corrections & alterations |