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Issues : Authentic corrections of FE
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b. 149-151
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 149 and 151 the autographs are devoid of cautionary accidentals. In the first stage of proofreading of FE (→EE) a category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 153
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 168
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Just like in analogous b. 160, in the main text we reproduce the mark of AF. The long accent in FE may result from Chopin's proofreading, which is indicated by the fact that EE does not contain any mark. category imprint: Differences between sources; Corrections & alterations issues: Long accents , Scope of dynamic hairpins , Authentic corrections of FE |
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b. 187
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The indication slentando must be a Chopinesque addition introduced in the last stage of proofreading of FE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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