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b. 148
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the category imprint: Differences between sources |
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b. 149-152
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we include the changes of pedal under b. 149-150 and 151-152, present only in AF (→FE→EE), in a variant form. When choosing one of the versions, it is also the variants of dynamic indications that should be taken into account – in the sources the shorter pedalling markings are associated with more precise dynamic indications. category imprint: Differences between sources |
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b. 149-151
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 149 and 151 the autographs are devoid of cautionary accidentals. In the first stage of proofreading of FE (→EE) a category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 150-153
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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It is difficult to say whether Chopin forwent the contrasting dynamic indications in b. 150 and 152-153 entered into AF (→FE→EE) while writing [AG] (→GE) or whether they were added later, after [AG] had already been written. Therefore, in the main text we leave it to the discretion of the performer whether to include them or not. category imprint: Differences between sources; Editorial revisions; Corrections & alterations |
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b. 153-154
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Chopin was consistent in writing shorter pedalling in AF (→FE→EE) – cf. b. 149-152. The notation adopted in the main text should be understood as variant, i.e. the pedal released at the end of b. 153 or only just in b. 154. category imprint: Differences between sources; Editorial revisions; Corrections & alterations |
in 
was added before b in b. 151; the accidental is also present in 
was repeated before the R.H. b
note on the 3rd beat of the bar.
, 
