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Issues : Chopin's hesitations
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b. 63-64
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The notation of AI shows the evolution of the accompaniment in these bars. In both bars Chopin started from a typical bass-chord-chord structure, which he modified in b. 64 by replacing the last chord with a transitional F category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Deletions in A , Accompaniment changes , Corrections of AI |
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b. 65-67
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 65 and 67, there are two variant versions of the R.H. motifs in AI. Eventually, Chopin used the idea that was written first. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Corrections of AI |
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b. 100-101
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In AF one can see a correction of slurring in this place – the slurs, initially separated by a bar line (like in AI), were then combined. According to us, hesitation about the range of these slurs, visible in this and analogous places (b. 8-9), does not allow us to consider this correction to be final, since Chopin corrected only one of the versions of the divided slurs. In addition, in b. 8-9 the same slurring was probably corrected by Chopin in a different manner, although actually resulting in the same effect. Taking into account the above, in the main text we give the version that was corrected later. The versions of FE and GE may be considered equal variants. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Corrections in A , Chopin's hesitations |
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b. 139
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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It seems that both published versions of the beginning of this bar were already present in AI, in which one can see a crossing-out of the crotchet, probably G category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
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b. 166
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the simplified – most probably by Chopin in [AG] – notation of GE. The only perceptible difference affecting the performance is the rhythmic value of the f1 note in the chord on the 2nd quaver of the bar. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Corrections of AI |
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