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Slurs

b. 18

composition: Op. 50 No. 3, Mazurka in C♯ minor

Slur in #A1 & GE

No slur in AF (→FEEE)

..

The missing slur (and the staccato dot – see the adjacent note) must be Chopin's inadvertence in AF – in this autograph, respective marks are in all three analogous b. 22, 110 and 114.

category imprint: Differences between sources

issues: Inaccuracies in A

b. 18-21

composition: Op. 50 No. 3, Mazurka in C♯ minor

No slurs in AI & FE (→EE)

Slur in bars 18-19 in AF

2 slurs in GE

..

In the main text we include the slurs combining the last chord in b. 18 and 20 with the first note in the next bar. The absence of the slur in b. 20-21 must be Chopin's oversight in AF (→FEEE). See also b. 22-23.

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE , Inaccuracies in A

b. 19-20

composition: Op. 50 No. 3, Mazurka in C♯ minor

Slur in AI & GE

No slur in AF (→FEEE)

..

The missing slur must be Chopin's oversight in AF (→FEEE). The relevant slurs are present in all analogous places.

category imprint: Differences between sources

issues: Errors of A

b. 22-23

composition: Op. 50 No. 3, Mazurka in C♯ minor

No slur in AI

Slur in AF & GE

Tie to a in FE (→EE)

..

Just like in b. 18-19 and 20-21, in the main text we give the slur added to the version prepared for print – AF and [AG] (→GE). The slur in FE (→EE) was placed on the side of the noteheads, which made it look like a tie of a.

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE , Placement of markings , Tie or slur

b. 24

composition: Op. 50 No. 3, Mazurka in C♯ minor

Slur in AI, AF & GE

No slur in FE (→EE)

..

In this context the concordant version of the other sources proves the FE (→EE) version to be erroneous.

category imprint: Differences between sources

issues: Errors in FE