Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 50 No. 3, Mazurka in C♯ minor
The sources differ in terms of whether the bottom R.H. note should be repeated or tied: c
2 in b. 3-4 and 95-96 and g1 in b. 7-8 and 99-100. The version with repeated note is earlier: in AI none of the four places features a tie. In AF, Chopin added a tie only the last time (b. 99-100), perhaps as a local variation. However, GE ties the respective notes in all four places, a version which in these circumstances seems naturally to be the latest one, written presumably in [AG]. The absence of slurs in FE (→EE) does not testify to Chopin's returning to the original concept, since he could have forgotten about the this change while proofreading FE.
category imprint: Differences between sources; Corrections & alterations
notation: Rhythm
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