Page: 
Source: 
p. 2, b. 40-71
p. 1, b. 1-39
p. 2, b. 40-71
p. 3, b. 72-103
Main text
Main text
A1 - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A1 - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 40

Staccato dot in bar 40 in A1

No marks in FE (→EE)

Dots in bars 40-41 in GE

Just like in b. 9-10, the staccato dots under the bass notes come from [A2] (→GE). In A1 the dot is written in b. 40, yet it was not included in FE (→EE), probably considering the bar to have been written approximately: it opens the group of bars marked in an abridged manner as repetition of b. 9-27; Chopin wrote out only the L.H. part in that bar. Since the L.H. part is written here more accurately than in b. 9, in our transcription of A1 we include the more accurate markings, i.e. the dot and the arpeggio mark on the 2nd beat of the bar.  

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A1, FE1, FED, GE1, GE2, EE1