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p. 1, b. 1-39
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Chopin added two staccato dots in [A2] (→GE), probably as a performance model for further similarly shaped bars. In this case, one can rule out a possible Chopinesque proofreading of GE1, since the layout of the pedalling markings already took those bars into consideration. The same applies to the subsequent repetition of those bars, which are not written out in A1 (b. 40-41 and 84-85).
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category imprint: Differences between sources; Corrections & alterations
issues:
notation: Articulation, Accents, Hairpins
Missing markers on sources:
A1, FE1, FED, GE1, GE2, EE1