Ornaments
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b. 69
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composition: Op. 50 No. 2, Mazurka in A♭ major
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The missing slur next to the grace note is an oversight of the engraver of FE (→EE) and most probably also of the engraver of GE1. In the main text we give the slur of A1. The conventional little slur added in GE2 is an arbitrary revision. category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions |
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b. 71
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composition: Op. 50 No. 2, Mazurka in A♭ major
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The missing slur next to the grace note is an oversight of the engraver of FE (→EE). In the main text we give the slur of A1 and GE1. In GE2 that slur was arbitrarily changed to a conventional little slur. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 73-81
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In b. 73, 75, 77-78 and 81, in the main text we give the only authentic notation of A1 and GE1, which is, moreover, concordant, in which the slurs next to the grace notes reach the bottom note of the following quaver. The versions of FE and EE result from mistakes and inaccuracies, whereas in the case of GE2 – from revision. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in FE , Errors in EE , GE revisions |
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b. 79
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 63, in the main text we include the arpeggios added by Chopin in the proofreading of GE1 (→GE2) or still in [A2]. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 84
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 9, the arpeggio mark is one of a number of additions introduced by Chopin probably still in [A2] (→GE). category imprint: Differences between sources; Corrections & alterations |
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