



Ornaments
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b. 42-46
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 11 and 15, it is uncertain whether the mordents in b. 42 and 46 were added by Chopin already in [A2] or only just in the proofreading of GE. category imprint: Differences between sources; Corrections & alterations |
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b. 54
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 23, in the main text we adopt the notation of the principal source, i.e. GE, undoubtedly repeated after [A2]. category imprint: Differences between sources; Corrections & alterations |
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b. 61-62
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Both the absence of a slur next to the grace note in b. 61 and reproducing the slur in b. 62 as a conventional mark, combining the grace note with the top (g category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 63
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Chopin added the arpeggios in the proofreading of GE1 (→GE2) or wrote them still in [A2]. The same applies to b. 79. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 65
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we give the concordant notation of A1 and GE, the only authentic one. The remaining versions are inaccuracies or revisions. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in EE , GE revisions |
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