



Pedalling
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b. 59
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Due to the reasons described in b. 19-20, in the main text we give the pedalling of GE in a variant form only. In this case, adding pedalling may be considered justified due to the span of the chord, which, according to the notation, is to be held on the 2nd beat of the bar. In practice, in order to avoid the simultaneous occurrence of d category imprint: Differences between sources; Corrections & alterations |
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b. 63
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we include the pedalling (in a variant form) added by Chopin in the last stage of proofreading of FE. The same applies to b. 79. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 68
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we include the pedalling added by Chopin in [A2] or in the proofreading of GE1. A similar situation can be found in b. 72. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 72
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 68, in the main text we include the pedalling added by Chopin in [A2] or in the proofreading of GE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 74-76
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In b. 74 and 76, in the main text we include the pedalling added by Chopin in the last stage of proofreading of FE and in [A2] or in the proofreading of GE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE |
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