b. 50-51
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Due to the reasons explained in analogous b. 19-20, in the main text we give the pedalling of GE in a variant form only. At the same time, we include the correction of the placement of the mark in b. 50, introduced in GE2. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 54
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 23, in the main text we adopt the notation of the principal source, i.e. GE, undoubtedly repeated after [A2]. category imprint: Differences between sources; Corrections & alterations |
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b. 56
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 25, in the main text we give the pedalling of GE, perhaps entered hastily, only in a variant form. category imprint: Differences between sources; Corrections & alterations |
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b. 56
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 25, in the main text we take into account the cautionary before e1, present in GE and added in the first stage of proofreading of FE (→EE). category imprint: Differences between sources; Corrections & alterations issues: Cautionary accidentals , FE revisions |
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b. 59-60
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we give the longer slur introduced in the proofreading of GE1: one can see traces of the removed ending of the shorter slur, to g1 in b. 59. According to us, that change is to be related to two other ones: the change of rhythm in b. 59 and the removal of d1 at the beginning of b. 60. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |