Issues : Authentic corrections of FE
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b. 30-31
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composition: Op. 50 No. 1, Mazurka in G major
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The ending of the slur over b. 30-31 is uncertain in A1: at the end of the line, in b. 30, the slur suggests continuation, yet there is no ending thereof in b. 31. A comparison with the slur in b. 26-27, extended by Chopin, proves that it is the missing ending of the slur in b. 31 that is a mistake. Such interpreted slurs are featured in FE2, which may be a result of Chopin's proofreading, since FE1 considered the slur in b. 30 to be inaccurate and shortened it correspondingly. In the main text we give the unquestionable four-bar slur of GE1, reflecting [A2] (in GE2 it was reproduced inaccurately: in b. 30, which ends the page, the slur reaches the minim only; see also b. 65-66). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , Authentic corrections of FE , Uncertain slur continuation |
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b. 35-36
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composition: Op. 50 No. 1, Mazurka in G major
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 39
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composition: Op. 50 No. 1, Mazurka in G major category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 49
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composition: Op. 50 No. 1, Mazurka in G major category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 53-54
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composition: Op. 50 No. 1, Mazurka in G major
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The cautionary naturals before c2 in b. 53 and g1 in b. 54 were added – most probably by Chopin – in the proofreading of FE (→EE). category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
in 
before g1 was added in the proofreading of