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Issues : Authentic corrections of FE
b. 11-12
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composition: Op. 50 No. 1, Mazurka in G major
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Chopin added a category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 11-12
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composition: Op. 50 No. 1, Mazurka in G major
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In the main text we include the pedalling added by Chopin in the last phase of proofreading of FE. The same applies to b. 35-36 and 67-68. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 15
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composition: Op. 50 No. 1, Mazurka in G major
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The cautionary natural before g1 was added in the proofreading of FE (→EE). There is a similar situation in b. 39 and 71. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 17
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composition: Op. 50 No. 1, Mazurka in G major
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The staccato dot was most probably added by Chopin in the last stage of proofreading of FE, since it is absent in EE. The absence of the mark in GE may be explained by an oversight of the engraver or even of Chopin in [A2], hence we include the dot in the main text. See also b. 21. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 27-29
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composition: Op. 50 No. 1, Mazurka in G major
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According to us, the slur of A1 in b. 27-28, coinciding with the next one on the minim in b. 28, is one of a few inaccuracies of notation of slurs in the sources concerning this Mazurka. The suggested interpretation is based on the assumption that the slurs of A1 generally describe the same performance manner as the slur and the staccato dot used in [A2] (→GE1). In other words, Chopin was certain of the performance concept of that phrase, he was just looking for the best way to write it down. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Authentic corrections of FE |