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p. 3, b. 77-102
p. 1, b. 1-43
p. 2, b. 44-76
p. 3, b. 77-102
p. 4, b. 103-132
p. 5, b. 133-175
p. 6, b. 176-208
p. 7, b. 209-234
p. 8, b. 235-264
p. 9, b. 265-303
p. 10, b. 304-333
p. 11, b. 334-365
p. 12, b. 366-405
p. 13, b. 406-435
p. 14, b. 436-467
p. 15, b. 468-493
p. 16, b. 494-523
p. 17, b. 524-551
p. 18, b. 552-583
p. 19, b. 584-626
p. 20, b. 627-657
p. 21, b. 658-682
p. 22, b. 683-707
p. 23, b. 708-739
p. 24, b. 740-780
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Pedalling
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 83-102

No markings in A

Two-bar pedalling in FC (→GE)

One-bar pedalling in FE (→EE)

In the main text we give the pedalling added by Chopin in FC (→GE). In that manuscript Chopin copies one pedal encompassing two bars wherever a pair of bars is based on the same chord: b. 81-82, 83-84, 85-86, 91-92, 93-94, 97-98, 99-100 & 101-102. Another pedalling, most probably also authentic, was added in FE (→EE), in which one pedal encompassing two bars is indicated only in b. 81-82 & 97-98 (the remaining ones are provided with a whole-bar pedal). In spite of the fact that the second pedalling is almost certainly later, in the main text we give the pedalling of FC, since the corrections visible therein (deletions of markings at the end of b. 81 and 91) prove that the composer considered it to be better. Naturally, it cannot be ruled out that while adding pedalling marks in FE Chopin consciously returned to the original concept; however, according to us, it is more likely that it was a result of lack of adequate concentration, e.g. due to haste.

See b. 65-76

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, Authentic corrections of FC

notation: Pedalling

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC