Page: 
Source: 
p. 5, b. 83-117
p. 1
p. 2
p. 3, b. 1-48
p. 4, b. 49-82
p. 5, b. 83-117
p. 6, b. 118-161
p. 7, b. 162-196
p. 8, b. 197-234
p. 9, b. 235-284
p. 10, b. 285-329
p. 11, b. 330-365
p. 12, b. 366-420
p. 13, b. 421-461
p. 14, b. 462-499
p. 15, b. 500-540
p. 16, b. 541-577
p. 17, b. 578-628
p. 18, b. 629-672
p. 19, b. 673-708
p. 20, b. 709-740
p. 21, b. 741-780
p. 22
FE1 - First French edition
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Articulation, Accents, Hairpins
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No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 89-94

No sign in A (→FEEE)

in #CF (→GE)

In the main text we give a  hairpin added by Chopin in FC (→GE). In this phrase the manuscript bears traces of corrections performed by Chopin, who, initially, wrote three subsequent  marks in b. 87-90, 91-92 & 93-94, which he then deleted. The second half of the first of those marks (written on the top stave in b. 89-90) was not deleted, yet there is no doubt that the six-bar long  written below expresses the composer's later intention.

See b. 65-66

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FC, Alterations in CF

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, FES, FESf, GE1, GE2, GE3, EE1, EE2, EE3, A, FC